{"id":4312,"date":"2022-01-31T09:07:28","date_gmt":"2022-01-31T08:07:28","guid":{"rendered":"http:\/\/davidpilette.com\/FD2\/?page_id=4312"},"modified":"2022-01-31T09:07:28","modified_gmt":"2022-01-31T08:07:28","slug":"discography","status":"publish","type":"page","link":"https:\/\/www.fredericdurieux.com\/index.php\/discography\/","title":{"rendered":"Discography"},"content":{"rendered":"

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Seuil D\u00e9ploy\u00e9<\/strong>
\n(1988-89), pour 22 instrumentistes<\/em><\/span>\u00a0\u00bb content_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.3″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRaleway||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.4em\u00a0\u00bb width_tablet=\u00a0\u00bb\u00a0\u00bb width_phone=\u00a0\u00bb330px\u00a0\u00bb width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb max_width_tablet=\u00a0\u00bb\u00a0\u00bb max_width_phone=\u00a0\u00bb\u00a0\u00bb max_width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_margin=\u00a0\u00bb||16px||false|false\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb\u00a0\u00bb custom_margin_phone=\u00a0\u00bb0px|0px||0px|false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb0px|0px|0px|0px|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb module_alignment_tablet=\u00a0\u00bb\u00a0\u00bb module_alignment_phone=\u00a0\u00bb\u00a0\u00bb module_alignment_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb]<\/p>\n

Seuil D\u00e9ploy\u00e9<\/strong>
(1988-89), pour 22 instrumentistes<\/em><\/span><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.9.3″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRaleway||||||||\u00a0\u00bb text_text_color=\u00a0\u00bbrgba(255,255,255,0.8)\u00a0\u00bb width_tablet=\u00a0\u00bb\u00a0\u00bb width_phone=\u00a0\u00bb330px\u00a0\u00bb width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb max_width=\u00a0\u00bb330px\u00a0\u00bb custom_margin=\u00a0\u00bb0px||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px|||||\u00a0\u00bb width__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb]<\/p>\n

In <\/em>Villa M\u00e9dicis 1989<\/strong><\/span><\/p>\n

Ensemble Forum de Lyon, dir. Mark Foster
Salabert Trajectoires \/ MFA
SCD 9002 – 1990<\/p>\n

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%22%22<\/strong><\/p>\n

Marges III<\/strong>
(1989-90), pour Hautbois & ensemble<\/em><\/span><\/p>\n

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Marges III<\/strong>
(1989-90), pour Hautbois & ensemble<\/em><\/span><\/p>\n

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In <\/em>Pr\u00e9sences 1992, Festival International de Musique Contemporaine de Radio France<\/strong><\/span><\/p>\n

Ensemble Alternance – Jean-Pierre Arnaud, hautbois – dir\u00e9ction, Fabrice Bollon
Ad\u00e8s\/MFA
Double CD202282 – 1992<\/p>\n

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So schnell, zu fr\u00fch<\/strong>
\n(1993), pour soprano, ensemble instrumental et dispositif \u00e9lectronique en temps r\u00e9el <\/em><\/span>\u00a0\u00bb content_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.3″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRaleway||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.4em\u00a0\u00bb width=\u00a0\u00bb330px\u00a0\u00bb custom_margin=\u00a0\u00bb||16px||false|false\u00a0\u00bb]<\/p>\n

So schnell, zu fr\u00fch<\/strong>
(1993), pour soprano, ensemble instrumental et dispositif \u00e9lectronique en temps r\u00e9el <\/em><\/span><\/p>\n

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In <\/em>Hier und jetzt 1994<\/strong><\/span><\/p>\n

Ensemble Intercontemporain – direction, David Robertson – Sharon Cooper, soprano<\/span>
Double CD 465312-2-1994<\/p>\n

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%22%22<\/b><\/p>\n

CD monographique<\/b><\/p>\n

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CD monographique<\/b><\/p>\n

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So schnell, zu fr\u00fch<\/strong> (1994)
<\/span>Devenir<\/strong> (1994)
<\/span>L\u00e0, Au-dela<\/strong> (1990-1991\/92)<\/span><\/p>\n

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Ensemble Intercontemporain – direction, David Robertson –<\/span> Andr\u00e9 Trouttet, clarinette
Ad\u00e8s 204552 – 1994<\/p>\n

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%22%22<\/strong><\/p>\n

D\u00e9part
<\/strong>in memoriam Dominique Troncin<\/em> (1995), pour clarinette en sib (ou en la ad libitum<\/em>)<\/span><\/p>\n

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D\u00e9part
<\/strong>in memoriam Dominique Troncin<\/em> (1995), pour clarinette en sib (ou en la ad libitum<\/em>)<\/span><\/p>\n

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In <\/em>Hommage \u00e0 Dominique Troncin<\/strong><\/span><\/p>\n

Dominique Vidal, clarinette
Harmonia Mundi \/ MFA \/ Radio France
MFA 216007 HM 73 – 1995<\/p>\n

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%22%22<\/strong><\/p>\n

Poursuivre
<\/strong>(2013-14), Pour violon, violoncelle & accord\u00e9on<\/em><\/span><\/p>\n

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Poursuivre
<\/strong>(2013-14), Pour violon, violoncelle & accord\u00e9on<\/em><\/span><\/p>\n

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In <\/em>13 Cr\u00e9ations pour un festival<\/strong><\/strong><\/span><\/p>\n

Constance Ronzatti, violon, – Askar Ishangaliyev, violoncelle – Vincent Lhermet, accord\u00e9on
CD Printemps des Arts de Monte-Carlo
PRI021 – 2017<\/p>\n

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