{"id":1612,"date":"1996-01-19T11:28:24","date_gmt":"1996-01-19T10:28:24","guid":{"rendered":"http:\/\/davidpilette.com\/FD2\/?p=1612"},"modified":"2022-01-19T11:32:40","modified_gmt":"2022-01-19T10:32:40","slug":"incidences","status":"publish","type":"post","link":"https:\/\/www.fredericdurieux.com\/index.php\/1996\/01\/19\/incidences\/","title":{"rendered":" Incidences
(1996) pour percussionniste solo<\/span><\/i><\/br>"},"content":{"rendered":"\n

Commande du Conservatoire de Paris (CNSMD) pour le prix de percussion
Cr\u00e9ation par J. Geoffroy au Festival Pr\u00e9sences \u201899 de Radio France, Paris f\u00e9vrier 1999
D\u00e9dicace : \u00e0 Jean Geoffroy
Dur\u00e9e : 11 min.
Editions Jobert<\/a> (Paris) \u2013 anciennement \u00e9ditions Durand<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

D\u00e8s les premi\u00e8res esquisses d\u2019Incidences<\/strong>, j\u2019ai d\u00e9lib\u00e9r\u00e9ment opt\u00e9 pour un instrumentarium<\/em> limit\u00e9 \u00e0 quelques peaux, bois et m\u00e9taux tout en renon\u00e7ant aux instruments \u00e0 hauteurs trop d\u00e9termin\u00e9es. Mon but \u00e9tait de concentrer mon travail (mais aussi la perception de l\u2019auditeur) sur la pulsation. De fait, cette \u0153uvre est inscrite dans des temporalit\u00e9s directionnelles o\u00f9 les pulsations sont toujours pr\u00e9sentes, \u00e0 quelques rares exceptions pr\u00e8s.<\/p>\n\n\n\n

Une fois cet angle d\u2019incidence<\/em> d\u00e9termin\u00e9, j\u2019ai choisi un ensemble d\u2019instruments qui permettait \u00e0 un seul instrumentiste de couvrir un registre \u00e9tendu, du grave \u00e0 l\u2019aigu, en r\u00e9servant des zones d\u00e9limit\u00e9es du spectre sonore \u00e0 chaque famille d\u2019instruments (peaux, bois et m\u00e9taux). Ainsi, et malgr\u00e9 les hauteurs relatives des instruments, il est possible de cerner des r\u00e9gions que je pourrais qualifier d\u2019\u201charmoniques\u201d.<\/p>\n\n\n\n

Enfin, j\u2019ai \u00e9labor\u00e9 un groupe de figures et de cellules rythmiques r\u00e9currentes et \u00e9volutives qui, tout au long de la partition, forment une th\u00e9matique.<\/p>\n\n\n\n

Cette partition est form\u00e9e de trois parties encha\u00een\u00e9es. La premi\u00e8re, vive, est une suite de figures puls\u00e9es, \u00e0 la fois similaires et vari\u00e9es, qui \u00e9voluent au sein de deux tempos. Toutes ces figures proviennent de suites num\u00e9riques bas\u00e9es sur les nombres 0, 1, 2, 3 et 4. La partie centrale, lente, est une sorte de marche fun\u00e8bre dont chaque pulsation va progressivement \u00eatre remplie de valeurs de plus en plus br\u00e8ves pour aboutir au roulement. La derni\u00e8re partie r\u00e9capitule les deux premi\u00e8res tout en d\u00e9veloppant son propre mat\u00e9riau dans lequel s\u2019immiscent des figures d\u00e9tourn\u00e9es de la Danse Sacrale<\/em> du Sacre du Printemps<\/em> de Stravinsky et d\u2019Ionisation <\/em>de Var\u00e8se, deux compositeurs mod\u00e8les du temps puls\u00e9 et irr\u00e9gulier.<\/p>\n\n\n\n

Incidences<\/strong> a \u00e9t\u00e9 command\u00e9 par le Conservatoire National Sup\u00e9rieur de Musique et de Danse de Paris pour le Prix de Percussion et est d\u00e9di\u00e9 \u00e0 Jean Geoffroy qui a cr\u00e9\u00e9 l\u2019\u0153uvre lors du festival Pr\u00e9sences \u201899<\/em> de Radio France \u00e0 Paris. <\/p>\n\n\n\n

Fr\u00e9d\u00e9ric Durieux<\/p>\n","protected":false},"excerpt":{"rendered":"

Commande du Conservatoire de Paris (CNSMD) pour le prix de percussionCr\u00e9ation par J. Geoffroy au Festival Pr\u00e9sences \u201899 de Radio France, Paris f\u00e9vrier 1999D\u00e9dicace : \u00e0 Jean GeoffroyDur\u00e9e : 11 min.Editions Jobert (Paris) \u2013 anciennement \u00e9ditions Durand D\u00e8s les premi\u00e8res esquisses d\u2019Incidences, j\u2019ai d\u00e9lib\u00e9r\u00e9ment opt\u00e9 pour un instrumentarium limit\u00e9 \u00e0 quelques peaux, bois et m\u00e9taux […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[17,13],"tags":[],"acf":[],"yoast_head":"\nIncidences - Fr\u00e9d\u00e9ric Durieux<\/title>\n<meta name=\"description\" content=\"Bienvenue sur le site de Fr\u00e9d\u00e9ric Durieux, compositeur\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fredericdurieux.com\/index.php\/1996\/01\/19\/incidences\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Incidences Fr\u00e9d\u00e9ric Durieux - 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